In a time of a proliferation of neoliberal agendas, it has become necessary to understand the forces and infrastructures that can create an opposition. “Architectures for the Commons” is the construction of a design framework that emphasizes the open source cooperation of architects with a community at large, utilizing socially enabled technology to accelerate the proliferation of value for the multitudes.

Artist Lena Klabukova believes that currently there are no inspiring strategies in the ecological discourse and proposes engaging with recycling and the overproduction of ideas with help of video games.

This Let’s Play lecture by Dasha Nasonova and Dima Vesnin will explain how to distinguish between game and real types of ecology, what kind of problems are promoted by popular games, and which recently developed video games cultivate a more realistic idea of ecology.

As part of the Game Club program accompanying the exhibition The Coming World: Ecology as the New Politics 2030–2100, Hideo Kojima will present the game Death Stranding, new from Kojima Productions. The legendary game designer will discuss the world of the game and the mechanics and ideas behind its creation.

Starting new game, we often find ourselves stranded on the shore of the unknown landscape. The map is covered with fog, that gradually goes away as we familiarize ourselves with the surroundings.

A bug is an amusing and annoying mistake, a glitch in a program. But what if we look at them differently? What if using bugs enables us to build alternative relationships with computer games?

As part of the public program for The Coming World, Garage Museum of Contemporary Art presents artist Lu Yang’s latest work, the video game The Great Adventure of Material World.

As part of The Coming World Game Club, which is part of the exhibition The Coming World: Ecology as the New Politics 2030–2100, Garage invited artists, developers, and game designers to take part in Eco Jam, a hackathon dedicated to the creation of video games or prototypes of games addressing the themes raised by the exhibition.

The artist offers participants a physical experience that will immerse them in a denser present. In a complex and rapidly changing world of multiple truths and post-truths we often need a pause—a refuge that would allow us to explore ourselves on a new level—a level different from our everyday but addressing the workings of memory.

Performance and expanded discussion for the Game Club section of The Coming World.